‘Heartstopper’ has truly become a breakthrough in the sphere of queer media, a comfort show for many, the equivalent of a warm hug, and a brilliant outlook into the annals of queer culture—Donna Ferdinando reviews Netflix’s latest series.

Every Single Hue: Revelling In The Colours Of ‘Heartstopper’

Exploring Twenties’ Restlessness With Catchy Pop-Punk Umph: A Review Of Bugs’ ‘Cooties’
In their new album ‘Cooties’, Brisbane trio Bugs dive into their sound evolution now combining surfer-punk music with a powerful pop-umph. The combination creates incredibly catchy songs that use 2000’s pop-punk radio classics to frame the feelings of toxic masculinity and loneliness that inhabit our twenties.

Jane Campion Has Won Best Director—Why Is She Only the Third Woman To Do So?
Jane Campion had already added another page into the bible of cinema; now bagging the Best Director prize for her meticulous work on The Power of the Dog (2021). This welcome addition in the Academy’s history has frankly been a long time coming, with Campion being only the third woman to do so. Wildes Lawler explores why this is so.